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Posted on March 29, 2012
by kirsten
15
Thanks for your blog posts on Pinterest. I read both. (Are there only 2?) As a graphic designer and a print production manager, who’s been working for publishers for years, I’ve dealt with more than a few tricky copyright issues along the way — with my own work as well as with the work of others. I’ve been asking myself the same questions you have as I’ve blithely been pinning away after joining Pinterest a little more than a week ago.
Ostensibly, I joined because I wanted a forum for promoting my own work. I have an Esty shop where I’m selling designer greeting cards. I was crestfallen when I read in your previous blog that Pinterest discouraged that, but I’m very pleased they have changed their minds.
As to the matter of copyright? I’m not a lawyer, so you’ll probably blow me right out of the water with your counter argument, but I say anyone can pin anything they want of mine, because, as long as the image links back to me in some way, I don’t believe they are breaking any laws. They are PROMOTING me. And, no, I don’t believe that the large thumbnails that Pinterest provides are tantamount to “original” works. Maybe it’s just me, but I DO go to the source to see the original image. It’s easy to do in Pinterest. (I think the ability to click through is their ace in the hole, their chief argument before the Supreme Court. [If it comes to that.]) I want to see the enlargement. I also want context. I don’t do it with everything, but when it comes to works of art, I want to know something about them. And though I haven’t been very consistent about it in these learning stages, from now on I give credit at the very least, an URL at the most. Beyond that, it’s just a matter of minding my copyright Ps and Qs.
This is what I’ve found in my years in bumping up against copyright law in the course of my work:
1. If you make money off of someone else’s work, you have to get permission for it. Period.
2. If you use someone else’s work without giving credit, you’re in trouble.
3. If you use someone else’s work inappropriately without expressed permission, you’re in trouble.
Beyond those glaring infringements of the law, the rest is a quagmire of gray swamp matter.
Copyright law used to be cut and dried, written in stone, as immutable as the Pyramids, (yet, still as indecipherable to us artistic types as a rune stone); but we were content in the knowledge that the right people with as much a vested interest in getting our work out there as we were, would help us out. After all the law was created in cooperation with an unchanging top-down oligarchy of publishing. If you wanted to see, hear, or read something, you had to either make it yourself, get it from someone you knew, get it through some “free” outlet like a university, or “rent” it from a library — or acquire it for your very own by buying it from some member or submember of the Publishing Oligarchy (which, for us visual types, includes galleries and photo agencies). The Oligarchy set the rules and standards for good acquisition behavior, and pushed the laws that supported them. By the same token, the law protected YOU if you reversed the process, to be seen, heard, or read at the alter of the Oligarchy. Abuses aside — and the lonely useless years for most, banging away at their opuses or slaving away in their garrets, never to have their work see the light of day — it was all very nice for everyone involved.
Until the Internet.
To say the Internet is organic has become cliche, but it is. It’s constantly adapting to change, looking for new ways to survive and propagate. The law, as you well know, has a hard time dealing with organic change-y things. In efforts to keep up with all the paradigm shifts that have been occurring in the publishing industry in the last 20 years, copyright law hasn’t kept up any better than the entities it tries to protect.
For creative types like us at the bottom of the food chain, it has been a mixed blessing. It’s nice when we get paid for what we do. Even nicer when we can count on that kind of support, plus the credit it gives us. But what’s nicer is when the whole world has the opportunity to plug into what we do. Easily. First hand. The Internet has given us that opportunity in spades. The Internet may seem like the lottery — huge, arbitrary, like someone you don’t know, who lives in his car, who suddenly wins $500 million after playing only once when you’ve been playing every single week — but it’s never been easier to carve out a little niche for yourself in some obscure corner of the Internet and get a following.
Am I right, Ms. Blogger?
Yet, as with everything, there’s a down side. The industry I’m in, the work I do, is in a downward spiral. I’m in print publishing. I design books. I’m just holding out until I can retire in a few years. No, I do not subscribe to the view that the Internet is killing the book. The book — I mean the physical thing, made out of paper and cardboard — is still a portable multimedia device, whatever Apple or Amazon have to say about it. But I design textbooks, and, sadly, they ARE dead. Or soon will be. In a few years, they’ll all be in the Cloud, interacting with Wikipedia.
Publishing’s dead too. At least the way we know it. At least the way the law understands it. And in all this turmoil, Pinterest has dived into the breach. I think they’ve done pretty well, considering. Yeah, they’re walking a picket fence, and we’re (as in scofflaw me and not you) are along for the ride. But I believe in it. Like you, I think their intentions are honorable. The execution is a little wobbly, and, yes, maybe I should err on the side of caution and bow out until they get the kinks worked out. (I DO understand the consequences after all. I can’t plead ignorance.) But because I DO understand, I think I can make some intelligent choices that won’t get me into trouble. As in my 3 rules above. If I give credit, play nice, and don’t try to make a profit off someone else’s sweat and tears, I probably won’t get into trouble.
That sounded lame, didn’t it? Like Denial with a capital “D.”
OK. You’re right. I should stop pinning, but I’m just having too much darn fun. And in the end, I think Pinterest does more to promote people’s work than it does to infringe upon it. I don’t think I’m the only one that thinks that either. There are probably a lot of infringed artists out there infringing on Pinterest as we speak.